Shovel Knight: Plague of Shadows DLC

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He’s just so… cute!

I’m back to sing Shovel Knight’s praises again! Except this time… it’s Plague Knight I’m rooting for?!

While Plague Knight didn’t especially stand out to me while playing Shovel Knight for the first time, I was immensely excited when I read about this free DLC for owners of the original game. In Plague of Shadows, the player assumes the role of Plague Knight, who is on a quest to become the most powerful alchemist out there. With the help of a few friends, of course.

I’m happy to report that we’re not talking about a mere palette swap here. I could tell a lot of time and care went into this DLC. Though it’s true that you will replay the same basic stages, they’ve been remodeled and subtle changes have been made to accompany Plague Knight’s style. And man, it is hella different. If you’ve played the normal campaign recently, it will take some getting used to.

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Just look at all these options!

Being an alchemist, Plague Knight relies on an assortment of potion bombs to blow up enemies. Don’t expect any signature shovel pogo sticking here. Instead, you’ll be double jumping, bursting, and tossing explosive vials. Bursting is an effect that will trigger when releasing the button. Plague Knight can glide, rain a blizzard on enemies below him, break through walls, and more. A common practice for gaining gravity is to double jump then burst, but you can do any combination of burst and jumping that you’d like. His bombs have THREE different features that you can upgrade and swap out whenever you want. It is very important to purchase these and experiment with them, as many effects are situational. Don’t learn the hard way (like me) that having a certain explosion or casing type can make or break a boss fight. Because they most certainly do.

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Treasure Trappings… Troupple King is my kinda Troupple.

Plague Knight utilizes magic as well. So on top of micromanaging your basic attack (which can get frustrating on certain stages… especially after the upteenth “Why do I keep dying here?!” death) you also have magic spells to consider. Some of the magic spells are wildly different than Shovel Knight’s, while others are different animations serving the same purpose. For example: While Shovel Knight gets the Dust Knuckles to soar across gaps, Plague Knight gets a dust cloud that he can walk through.

On top of the great new mechanics and creative equipment and abilities comes a fresh and thoroughly enjoyable story with delightful characters. Yacht Club Games did an impressive job of giving Plague Knight his own fresh story that runs parallel to what we saw the first time around. You’ll see some new faces, but more importantly, you’ll see a different side to characters you thought you knew. Most of the knights haven’t really changed; their ire is just temporarily directed towards Plague Knight. But damn, if it isn’t hilarious watching the pre-boss battle banter.

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Sound logic right there.

In short, the Plague of Shadows DLC is the perfect excuse to delve back into this game again. And this is coming from a person who almost never buys or downloads DLC. Typically when I am done with a game, I’m done. But for Shovel Knight fans, this is an opportunity you won’t want to miss. Plague Knight’s story is charming, fun, and hopefully a showcase of what other tricks Yacht Club Games has up their sleeves!

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Until Dawn Review

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Nobody was buried under snow in my playthrough…

I’m gonna go ahead and preemptively declare Until Dawn as my sleeper hit of the year. I mean, sure, I heard a bit about it, and even thought I’d probably like it. But I did not expect to love the game as much as I do. As we played, Steve-O and I had a harder and harder time turning the console off each night when it was time to quit. I was skeptical at first. While Until Dawn meshes two of my favorite genres, Survival Horror and Narrative (Point and Click, I guess they’re called), I was concerned the game wouldn’t give me enough anxiety to be scary, because it’s not really based on player skill, per se. Plus, I figured, it’d rely mainly on jump scares. Meaning not scary at all.

I couldn’t have been more wrong. Yes, there are jump scares. And yes, I’m embarrassed to admit how many of them I fell prey to, even when I felt them coming. But we still felt a lot of the anxiety you’d typically get while playing a survival horror game. It just manifests itself a little differently. Instead of thinking “I’m out of healing items and ammo and have to make it to the next save point without dying and having to do everything all over,” your train of thought instead is, “If I do this wrong I’ll get this character PERMANENTLY killed.” No do-overs here, people. Like Heavy Rain, making a wrong decision can get a character dead, and there ain’t nothing you can do to fix it. Save starting a new game file, anyway.

Until Dawn is not very forgiving, either. Very few of your decisions are black and white in terms of outcome. In fact, people are still debating on message boards about what actions, conversation decisions, and collectibles lead to which outcomes. Moreso than Beyond Two Souls and Telltale Games’ selections, Until Dawn relies on the player finding collectibles to further enhance the story. And it appears that, on at least one prominent occasion, neglecting to pick some up can lead to a character death.

Speaking of collectibles, I really like the Totem concept. While exploring, you can pick up color coded totems that will foreshadow possible events in the future. For sadists like us, it means we still get to view a character’s death even if you don’t put the events in motion.

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One of our friends just disappeared? Let’s do it!

In case you’ve missed some of the commentary surrounding this game, it does, indeed, feature a bunch of horny high schoolers trying to get laid. Yes, even that snow-covered picnic table is no match for adolescent libido. What, there’s a killer on the loose? All the more reason to get laid one last time! The game certainly starts off with the typical cheesy 80’s slasher horror movie feel. But a few hours into the game we came to realize it evolves into something more. Let me put it this way: We began our adventure fully intending to get everyone killed. Yet, as the game progressed and we spent more time with these entitled brats, we sort of grew attached to them. We actually didn’t want most of the characters to die. (Not all, but most)

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Apparently Sam is an expert rock climber.

Until Dawn relies on timed QTEs and conversation options for the bulk of the gameplay. There are a handful of events requiring the player to aim and shoot guns, but they’re few and far between. During chase sequences, you often have to make timed, off-the-cuff decisions about how the character should progress. Fast or cautious? Left or right? Hide or try the door knob? Each decision potentially changes the future framework of your experience with this game whether you realize it or not. Don’t enter Until Dawn thinking that your decisions won’t change anything more than some dialogue subtleties like Telltale Games’ series. No. Until Dawn is, I daresay, the first game of this genre I’ve played to fully realize the butterfly effect. Everything else I’ve played before now barely scratched the surface.

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People still toy with these things?

Excellent butterfly effects and 80’s horror flick homages aside, Until Dawn is also well crafted on the aesthetic side of things. The graphics are excellent. The character models and facial recognition are top-notch. Remember Heavy Rain showcasing character facial expressions during the pause menu? Same goes here. Character’s profile pics change depending on their condition in-game as well. Someone take a little tumble or get in an altercation? Their pretty face now has bruises or cuts. Also, and I really appreciated this, the menu actually displays the character’s current relationship status with the rest of the cast! What a novel concept! You’re also shown how you’ve royally f***ed up their personality, to boot. Each character begins with 3 prominent personality features. They certainly don’t have to STAY brave, or loyal, or smart. Player actions and conversations will change all that, and the game will always keep you updated on how your choices are changing the framework.

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That’s one messy hickey.

Until Dawn breaks up the suspense by interjecting sessions with a psychologist. While I didn’t dislike these portions, and I did appreciate how the scenery eventually morphed into some messed up Silent Hill imagery, they did feel like Shattered Memories rip offs. Every session you had to answer his questions. In turn, these made small changes to the game. If you say you’re scared of spiders, they will crawl across the screen at one point. It’s small, superficial things like that. Miniscule in comparison to the rest of the butterfly effects this game offers. However, I did like how they helped unravel one of the game’s major mysteries.

There isn’t much else I can say without spoiling all the fun. Your first game will probably hit or fall just shy of the 10 hour mark. Despite being a short game, due to its high replay and production values, I think its totally worth paying full price. Until Dawn has set a new precedent for “Choose your adventure” games. I can only hope other companies are taking notes.

Lara Croft and the Temple of Osiris

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Enter Lara Croft and the throwaway characters!

I know what some of my fellow non-Xbox One owners are thinking: This game is a cheap throwaway to try and satiate us until the very delayed release of Rise of the Tomb Raider on the PS4. How insulting and demeaning!

Well, perhaps. But I honestly really enjoyed my time with this game. It’s not a game to approach with an ounce of seriousness. Because, really, it’s a shallow experience. Casual and fun, but shallow nevertheless.

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Dungeon crawling Tomb Raider style: Yes, the archaeologist busts vases for loot.

As you can see from the above image, Temple of Osiris draws very heavily from games like Champions of Norrath and Diablo. The general premise is similar: Explore dungeons solo or with friends (This game even has couch co-op! Yay!) to slay mobs of enemies and collect loot. Again, let me be clear: this is not a game you will become too invested in. There’s little to no character creation or building. There isn’t even a skill tree! Lara Croft and company use guns and a staff that shoots a fancy Egyptian laser beam. That’s it.

Same can be said for loot and equipment. What you see is what you get. Of course, that didn’t stop me from getting excited when I won the RNG treasure chest lottery with a Legendary goody:

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Uploaded from my Twitter account, so the text is hard to read. Just trust me when I say it’s the best piece of loot I came across.

Gear doesn’t pop out of vases or enemies here. All you’ll get is gems, which become currency for opening treasure chests at the end of each dungeon and in the main map. Treasure chests have different tiers of loot ranging from 100 gems to 1,000 gems to open for your RNG jewelry. Rings and amulets are all you’ll find. Guns, of which there are a pleasantly surprising number, have to be earned through progression, challenge dungeons, or stage goals.

I enjoyed replaying stages to try meeting many of the optional challenges per dungeon. Almost every stage has a speed-run challenge, a “Collect 5 Red Skulls” challenge, and a few others with more variety based on level design. Meeting these requirements earns you gear, ammo upgrades, health upgrades, and even guns.

You really have to try some of the optional challenges, if for no other reason that they’re the only feature adding any sort of longevity to the experience. Well that, and replaying with friends for something to do for a couple of evenings.

I don’t know how much this title sells for on Playstation Network, and I don’t like to suggest good price points because we all look for different things in games. But I will say that as a free Playstation Plus game this month, it is one of my favorite free offerings to date. While not a typical Tomb Raider game, or as involved as many dungeon crawling games out there, it’s got great puzzles scattered throughout a relatively laid back, fun game.

Plus you get Egyptian gods shooting guns. That doesn’t happen very often now, does it?

Styx: Master of Shadows

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This may be the first time I’ve played as a goblin instead of killing them.

Styx: Master of Shadows was free to download on Playstation Network last month. Since then, I’ve sat down and played it for a handful of hours. I had no prior knowledge or experience with Of Orcs and Men, so I didn’t exactly know what I was getting myself into. Styx is a game for hardcore stealth fans. Not wannabes like me who play the Assassin’s Creed series and think that suffices.

I started off liking the game well enough. I didn’t hate it, but I didn’t absolutely love it either. I made respectable progress, getting through the first couple of areas while the game slowly unravels the multitude of tricks and skills Styx has up his sleeves. I appreciate, and find a bit funny, a few of his human-killing methods. For example: Styx can puke in a bowl of fruit to poison and kill people. The animation is complete with green goop and sound effects to boot. Can’t say I’ve seen that before. The vomiting also lends credence to the game’s darker tones. Styx is vulgar, often proudly swearing between bouts of puking. As someone who never tires of gratuitous vulgarity, I was quite pleased.

As with many other video games, you can unlock skills to empower your character. Styx has otherwordly powers such as becoming invisible, vomiting up clones, and using Amber *cough* Eagle *cough* Vision to detect enemies and find hidden markers. These abilities are made possible through the use of Amber, the stimulant drug du jour in this world. Leveling up these amber abilities can only be done while at the hideout. This feature was the first turn off for me. I was only able to get to the hideout once the entire time I played. I’m the kind of person who can’t wait to burn points and get more powerful as soon as I can. Waiting until the game allowed me to in a game where you’re slowly trudging from point A to B because you can’t get seen just killed it for me.

Another turn off was the piss-poor battle system. I mean, I thought Assassin’s Creed was lazy with it, but now my eyes have been opened. At least in the AC series I can attack someone if I so choose. Styx is not so fortunate. If you make the mistake of catching a guard’s attention, prepare yourself: he, along with a dozen of  his friends who materialize out of nowhere, will gang up on you simultaneously. There’s no Gentleman’s Syndrome here, folks. They have no qualms with killing you while you’re stuck in a parry or kill animation. That’s all you can do, by the way: parry and kill. Every single fight is nothing more than determining your parry timing, and parrying however many times you have to until parry turns into kill. Then Styx knocks them to the ground, and while stabbing them to death, gets sliced up by their pissed off friend.

Yes, I understand this is a stealth game and combat should be avoided when necessary, but this is just ridiculous. Styx has all these neat tools to his disposal, so why can’t I use them during battle? I’d like the option to turn invisible and try sneaking off again (and seeing the guards crap themselves when I disappear into thin air). Or barfing up a clone to take some beatings while I pick one off. Or even puking up my poisonous vomit in their face while dueling. That’s the kind of dirty fighting Styx seems like he was made for. However, none of these creative devices that could make battles more interesting are even hinted at. Guess I’m just creative like that.

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I never got far enough to unlock the Kill From Above-type skill.

None of these complaints are even what put the fork in the game for me. I was still content with continuing along, (rather slowly I might add, with all the hard saving and reloading I finally resorted to thanks to the not generous auto saves and guard ganking), until a peculiar thing happened. I was in the midst of a “Don’t get seen or you have to start over from the last checkpoint” section. Something I’ve become akin to thanks to Assassin’s Creed. So I figured, “Okay, time to be diligent about not triggering guards.” No biggie. But then I got a peculiar message. Something about a dead body being seen. Okay. Before I have time to react, the game reloads.

Really? A game over for a dead body being detected? Without giving the player time to backtrack and try doing something about said body? Maybe I wasn’t paying enough attention, but I had no idea that a dead guard I left behind who knows how long ago would become a death sentence. Obviously if I had known it’d be such a BFD I would’ve tried harder to stealth past him or do away with the body. There’s only so many closets and chests to hide them in. Sure, an NPC gives you vials of acid to destroy corpses with, but you only get a couple to carry you over until God knows when.

And that’s it. I was in the middle of trying to solve a puzzle involving using the clone to pass through metal gates and activate triggers when I kept “dying” due to carelessly leaving a dead guard behind. I tried reloading a previous save, but it didn’t erase my mistake.

Then Lara Croft and the Temple of Osiris became available for free, thus putting Styx on the digital shelf to probably not be picked back up again.

If you’re hardcore into stealth games, or played Of Orcs and Men and enjoyed it, then I say go for this game. But for the rest of us, I wouldn’t really recommend it. Aside from Styx’s great voice acting and character, everything else was lackluster.

Telltale’s Game of Thrones, Episode 5: A Nest of Vipers

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Yep, he’s finally setting sail…

While a short episode, Episode 5 of Telltale Games’ Game of Thrones spin-off finally begins to move things forward to the grand finale and managed to get me pumped for the series again. Character arcs finally progress onward and the player finally gets to make a decision that seems like it’ll actually make a big splash in the narrative!

And, yeah, some characters die. The video game, like the HBO series and novels, always instigates a haunting “Who is going to die next?” voice repeating in my brain. Some deaths elicit glee and excitement, others sadness and dread. I felt a little bit of both this episode.

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Being in Cersei’s shadow is never a good thing.

Mira’s portions of this game tend to annoy me. I know they’re necessary to reflect the large part of GoT’s universe that is the political power struggle realized through touchy conversations, eye shifting, and layering lies until you can’t remember what the truth is anymore; but truth be damned, because anything is better than getting on Cersei’s bad side! Through her usual style of manipulating and plotting, Cersei now has Mira in the palm of her hand, which I can only take to mean things will end very badly for Mira soon. She annoys me, so I hope she gets a good dose of Cersei revenge.

Mr. Tuttle isn’t having too much fun wandering the frozen expanses of the northern wilderness in pursuit of the mythical North Grove. Without spoiling too much here, I’ll only say there is a battle scene thrown in to spruce things up and he trudge on. Continue on and possibly die from hypothermia or get killed by winter zombies, versus turning back and probably get his head lopped off for desertion. The world is his oyster.

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Pretty boy’s gonna get his arse beat.

As usual, I had the most fun while playing with Asher and Beskha. That pair always find themselves  in hot water and solving differences at sword point. In Episode 5, Asher must prove his worth to the meandering pit fighters, now ex-slaves with no purpose but wanton violence. After reigning supreme in the pit, Asher gets himself an army to take back to Westeros. Yes, Asher FINALLY sails back home.

And it doesn’t take long for Asher to find more trouble. At least this time he is uniting with his Forrester family against the Whitehills. Unfortunately, Asher’s reunion with his family is short-lived before grief strikes yet again and the player is left to a difficult, and I’m hoping profound, choice.

I’m just going to leave it at that. You’re welcome.

Shena’s E3 Highlights

All the big press conferences and interesting events of E3 2015 are now over, and I’m still sorting in my head which games I’ll be scrambling to find the time to play next year! This year there were some announcements that excited me more than I care to admit, while others I sort of shrugged off, and some that made me happy for fans of franchises that I don’t necessarily follow.

Let me start by saying that I think Nintendo totally bombed their pre-recorded show. The puppets coming out at the beginning was cute and all, but they failed in using that Muppet-esque distraction as a decoy from their shoddy presentation. It started out with a new StarFox game. I’m glad for the people who have been begging for a new StarFox game for years, though it isn’t something that interests me. The gameplay will have to be amazing to win people over, because the graphics certainly aren’t doing it. Seriously, how embarrassing. After playing Bayonetta 2 and experiencing what the Wii U can put out graphically, it looks terrible. At least during SquareEnix’s conference they came out and said, “This demo was only in 30 FPS but the game will be 60,” to let the audience know if something is indeed downgraded because it’s a work in progress.

Nintendo had a super terrible 3DS multiplayer Metroid title… thing. I don’t even know, because they didn’t bother to go into detail on that even though fans have been BEGGING for a Metroid game for years. They did delve into the 3DS multiplayer/co-op Legend of Zelda game that NOBODY WANTS. But, you know, couldn’t go out of their way to show what they’ve been doing with the Zelda Wii U game they showcased a year ago.

With Fire Emblem off of my personal radar, Nintendo still had a few titles that I am looking forward to: Xenoblade Chronicles X, “Super” Mario Maker, and that 3DS Paper Mario meets Mario RPG game looks fun too.

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I honestly don’t usually get excited about mech games!

Xenoblade Chronicles and Mario Maker got dates which makes me really happy…. December 4 and September 11, respectively. So that’s two E3 games from Nintendo being released before Christmas. I loved Xenoblade Chronicles, and really wish I had spent more time with the side quests and other optional content. Mario Maker looks like a great dose of fun creativity. I can’t wait to see the levels my fellow gamers develop that I will undoubtedly die 1,000 times on.

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A goomba pyramid…. genius.

I also watched most of Sony’s press conference. The new IPs like Horizon and No Man’s Sky look pretty awesome. The Last Guardian made a lot of people happy, but I’ve gotten “Meh” about it after all of these years. The Final Fantasy VII reveal made me shed fangirl tears… Although now I’ve got my cynical glasses on, just waiting to see if SquareEnix is going to screw it up like they have everything else in the last decade. (Okay, except FF:RK. Srsly, it’s the best F2P game ever.) I know I’ll be playing it either way… whether they totally eff up the battle system and shoehorn in all the stupid FFVII compilation crap.

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If nothing else, it will at least be pretty.

Unsurprisingly, there was also fun gameplay footage from the new Uncharted game. My hubby and I are looking forward to playing A Thief’s End, so the vehicle driving sequence with all the Drake/Sully banter kept us at the edge of our seats.

I’m shocked there was nothing God of War related at Sony’s event, but I suppose it is for the best.

Going back to SquareEnix. First E3 press conference ever. And it shows. Well, as a fan of JRPGs (growing up, anyway) some of what they showed did intrigue me. Especially that Kingdom Hearts mobile game that I’m positive NOBODY asked for. In all seriousness, I really liked what we saw of KH3 (still no release date time frame.. no kidding). The battle system looks as fun as the story is convoluted. At this point I don’t even know if I should recognize the characters playing chess in the trailer… Someone help me out here!

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Seriously, who is this Rikku look-alike?

I haven’t played Just Cause games yet, but the third game looks like a lot of fun. I’ll have to do some research on them. Judging from the footage from Just Cause 3, I think I could get sucked into the sandbox carnage on display. There was also more FFVII (including an IOS port alongside the PC port), more Final Fantasy World or whatever the hell it is called, a new Nier project, more Deus Ex Machina, and the rather secretive Tokyo RPG project. Tokyo RPG project seems to exist to solidify their dedication to creating JRPGs.

I’ll admit my focus has shifted to Western RPGs in recent years. In the last year, the RPGs I enjoyed the most were probably South Park: The Stick of Truth and the Mass Effect trilogy (I didn’t start playing them until last year). And, I’m happy to announce… there were new games announced for both series! The new South Park game is titled “The Fractured But Whole.” Let that sink in.

While I am disappointed that no new details for Mass Effect were divulged outside of the title and release time frame, I’m still excited. While many might harp on my for wishing this… I was really hoping for a Mass Effect trilogy remaster. I need an excuse to play the trilogy again. The thought of slogging through the first Mass Effect in its current state pains me, but I can’t picture just picking up Mass Effect 2 from the start. I’m weird like that.

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Bioware swears this is not Spiderman wearing N7 armor.

And those are pretty much all the games that I’m personally excited for. I’m jealous about Tomb Raider, but seeing as how it is a timed exclusive I suppose I’ll get over it. Hopefully Uncharted won’t come out too late and will scratch that itch for me.

What were your E3 highlights?

Telltale’s Game of Thrones Episode 4: Sons of Winter

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I’m sure this city needs no introduction.

The latest in TTG’s Game of Thrones interactive series, Sons of Winter, picks up in some story lines and drags in others. Mira Forrester, the handmaiden to Lady Margaery who keeps finding herself in all sorts of King’s Landing gossipy troubles, was even more painful than usual to slog through. I should’ve enjoyed stickin’ it to the chubby jerk named Andros. He rightfully deserved the double-handed trickery I performed against him in the name of preserving the Forrester’s hand in ironwood trade. And yet, I was more than willing for her portions to end to get to the more action-oriented segments.

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Daenerys is definitely one of the best looking adaptations to her HBO counterpart.

Daenerys’ model is certainly one of the better looking ones. But what she was bestowed upon with beauty the writers took away in attitude. She’s got a stick up her butt or something… all bent outta shape over Drogon going missing. Yet for some reason I can’t discern (except to cause conflict for the sake of conflict) she refuses to believe Asher and company saw Drogon. And when I presented his tooth as proof, she got all defensive and stood by her poor baby when we described how he KILLED a bunch of people. It was all very contradictory to the Daenerys we know, who was guilt-stricken over her dragons eating children and CHAINED them up in dark seclusion.

As usual, Asher and Beska’s sequences are full of action. In this case, they are assisting The Mother of Dragons in taking over Meereen in return for acquiring an army to assist with the Forrester family’s Whitehill problem. There was a “stealthing through the streets of Meereen” portion (insert not-so-surprised gasp). Usually I hate stealth, with all its transparent tacked-on-because-every-game-needs-stealth-moments and OHKs. This wasn’t so bad. Easy, short, and to the point. I’m a bit concerned about potential ramifications over what I allowed Beska to do, defying orders and all, so we’ll see if it amounts to anything in Episode 5.

Garred Tuttle, our Castle Black token character, had a rather bland showing this episode. He, along with Cotter and Pyke, finally leave Castle Black behind in pursuit of the legendary North Grove. I was relatively disinterested until his cliffhanger at the end, when we’re introduced to a new character:

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Looks like she’s wearing a Daenerys wig.

I won’t spoil who she is, but suffice it to say, I’m curious to see how Garred’s story will progress moving forward. I’m hoping it gets the shot of adrenaline it needs.

And, at long last, the Forresters on the home front FINALLY start giving it back to the Whitehills. After tolerating Gryff the entire series thusfar, there was no way in hell I wasn’t going to beat his face in when I had the chance. Elaena, Rodrik’s betrothed in my game, finds her breaking point and is instrumental in assisting the Forresters in exacting revenge on the Whitehills.

Did I mention how much I love it when women in the GoT universe release their badassery?

I was a little worried when this dashing young man came walking in with my woman:

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Finally, some archers!

I almost thought she was going to say she was sick of all the drama and moved on with her life. Instead, I got a “Do you remember my brother?” And released a sigh of relief.

While it’s true this episode finally let me release some pent up aggression against the Whitehills, it still sets the stage for some interesting events forthcoming… I can’t help but feel all the advances I made are going to blow up in my face next episode. But hey, that’s all part of the allure when it comes to playing these sorts of games. And it wouldn’t be Game of Thrones if they didn’t pull the rug out from under me and kick me in the face a few times, would it?